Wednesday, May 13, 2020

Jamie Caruso Final


For my final project, I chose to design a 2020 calendar titled, “Pride Throughout the Years”. The calendar highlights many important milestones, celebrations and events which take you through the fight for equality and justice for the LGBTQ community. This topic is very important to me, as I am bi-sexual and it has been very interesting to take deeper dive into this important civil rights movement. 
I chose to design a calendar because I feel this is an easy way for a reader to learn information in small bits at a time throughout the year instead of all at once. Each month features a photograph which I have taken on my phone over the years. Passively reading this calendar through the months will teach about many important days we celebrate and remember in the LGBTQ community. Each month has its setbacks and celebrations, and it is fascinating to see the journey it has been to reach the point we have today in equality of gay rights. We still have so far to go and through education and determination we can keep improving as an equal nation. 

Below I have listed an Appendix for the calendar. This information would be found at the end, making it easy for the reader to easily look further into important dates and events in history marking landmark decisions and milestones for LGBTQ equality. 


January
In January of 1958, The United States Postal Service refused to deliver magazines ONE: The Homosexual Magazinethe first openly gay publication. The case went to the Supreme Court and where a landmark decision was approved to support gay rights. This being one of the first significant cases in LGBTQ history.

February
In February 2011, President Barack Obama formally announced his administration will no longer defend the Defense of Marriage Act. TheDefense Marriage Act (DOMA) was signed by President Bill Clinton in 1996 and declares the federal government would not recognize same-sex marriages. Later, in June of 2013, the Supreme Court officially strike down the Defense of Marriage Act and Obama declares, “We are a people who declared that we are all created equal – and the love we commit to one another must be equal as well (source)”.

March
On March 2, 1982, Wisconsin became the first state to outlaw discrimination based on sexual orientation. This prohibits discrimination in employment, housing and public accommodations based on sexual orientation. 
On March 31, we celebrate the International Transgender Day of Visibility, a day to celebrate the trans community and raise awareness of discrimination faced by transgender people worldwide. This holiday was founded by a Michigan based transgender activist, Rachel Crandall. 

April
On April 21, 1966, The Mattachine Society, one of the first gay rights groups in the country, staged a legendary “Sip-In”. During this time in history, many bars were raided by the police for serving gay patrons.  Three men, walked into a bar in Manhattan, Julius’ and announced they were gay before ordering a drink. When the bartender refused to serve them, and The Mattachine Society had a lawsuit. Julius’ bar, where the “Sip-In” took place is still serving the public today and is one of the oldest known gay bars. 

May
In May of 2012, Obama became the first sitting United States President to publicly support freedom for the LGBTQ community. 



June
June is known as Pride Month. Parades all over the country, bigger ones in New York, San Francisco, and Chicago, take place all month long to celebrate the LGBTQ community. 
On June 28, 1969 the police raided the Stonewall Inn, a famous gay club in New York City. Patrons and local sympathizers became violent and demonstrations lasted for days. Although the police were enforcing the law, New York’s gay community had grown weary of being targeted. 
On June 26, 2015 the Supreme Court made a landmark ruling to declare same-sex marriage a constitutional right! This is a major step forward for the LGBTQ community! 

July
On July 23, 2015 The Equality Act is introduced. The Equality Act Senators Jeff Merkley, Tammy Baldwin, and Cory Booker, as well as Representative David Cicilline formerly introduced The Equality Act, which would make LGBTQ individuals a protected class and grant them basic legal protections in areas of life including education, housing, employment, credit, and more.


August
In August of 2016, the Olympics took place in Rio de Janeiro. At least 41 openly gay, lesbian and bisexual athletes completed in the Rio games, which is almost double the number in the 2012 London games. 

September
In 2011, the Obama administration officially revoked the Don’t Ask, Don’t Tell rule of the US military. This meant that those serving the United States could now do so openly and proudly.

October
On October 16, we celebrate Spirit Day which was developed by a Canadian teenager Brittany McMillan in 2010 which encourages people to wear purple in support of the LGBTQ youth who are victims of bullying. 
In October we also celebrate Asexuality Awareness Week and Intersex Awareness Day. Intersex Awareness Day was first demonstrated in 1996 outside of Boston, intersex activists set to action “to end shame, secrecy, and unwanted genital cosmetic surgeries on intersex children” (disabled-world source).


November
On November 11, 1950, gay rights activity Harry Hay founds America’s first national gay rights organization, The Mattachine Society which aims to “eliminate discrimination, derision, prejudice and bigotry, and to assimilate homosexuals into mainstream society” (pbs source)
In November, we celebrate the Transgender Day of Remembrance. This day was founded on November 20, 1999 by transgender advocate Gwendolyn Ann Smith as a vigil to honor the memory of Rita Hester, a transgender woman who was killed in 1998.Today, we use this day to remember all transgender people whose lives were lost in acts of anti-transgender violence.

December
On December 15, 1973 The American Psychiatric Association votes to remove homosexuality for the list of mental disorders in the DSM-II. By a vote of 5,854 to 3,810 homosexuality is officially removed from this list!

Resource Links



Five Influential Artists
1.   Illana Gazer and Abbi Jacobsen co-stars and producers of Broad City a Comedy Central sitcom based on real-life friendship and trying to make it in the big city. The show does a superb job portraying real life relationships, love of all genders and sexualities, and body positivity. Both Ilana and Abbi are allies of the LGBTQ community and in later seasons Abbi comes out as a lesbian. This show is a beautiful, humorous portrayal of real life. Illana reflects on her work with Broad City quoting, “'Damn, I wasn't joking. That was me.' So, I've learned a lot from Broad City, including my own queerness and identity politics from reviews and reading people's pieces." This show holds a special place in my heart, and I think Illana Gazer and Abbi Jacobsen had a big social impact with this Comedy Central sitcom. 

2.   Barbara Kruger is a contemporary artist from Newark, New Jersey whose signature work often consists of black and white pieces of art and text which include pronouns such as “you”, “your”, “I”, or “we” and “they”. Much of her work addresses cultural constructions of power, identity, consumerism, and sexuality. Her use of pronouns is very symbolic to me in the gender identity. 
3.     Annie Leibovitz is one of the great American portrait photographers, She changed her career direction to photography and very soon after: landed her first job at Rolling Stone Magazine in 1970. She produced some of the publication's most iconic images, featuring the most influential musicians of the era, including The Rolling Stones, Elton John, and Bob Dylan. Her popularity went through the roof due to herdramatic, quirky, and iconic portraits of a great variety of celebrities. Her signature style is crisp and well lighted. In addition, she is renowned for her bold colors and unorthodox poses in her photographs, her influence on the world of photography has been significant. 
Ironically before this project I had no idea that Annie Leibovitz was gay; not only that, her lifelong significant lover was Susan Sontag (deceased), whom wrote the article “On Photography”. This piece was one of the works I had chosen one of my quotes from, this too was something I had no idea about until now, and makes this really cool because it all ties into the project on so many levels.  
4.     The non-profit organization Allies in Art has a mission to support people of color and LGBTQQIA-2S identified artists who are underrepresented in the industry by granting them access to funding, professional equipment and services to produce and distribute original works. I think non-profit organizations who offer support like this are vital to a successful community. 
http://www.alliesinarts.org
5.     Milia Jam is a trans artist and activist in the R&B world who is looking to make social change with her music. Her fun tunes address important issues which are crucial to talk about. 
Https://www.google.com/amp/s/www.billboard.com/amp/articles/news/pride/8513985/queering-up-your-playlist-lgbtq-artists-pride-month
Quotes
“The sequence in which the photographs are to be looked at is proposed by the order of pages, but nothing holds readers to the recommended order or indicated the amount of time to be spent on each photograph. Chris, a brilliantly orchestrated meditation on photographs of all sorts and themes, suggests a subtler and more rigorous way of packaging (and enlarging) still photographs. Both the order and the exact time for looking at each photograph are imposed: and there is a gain in visual legibility and emotional impact. 
Source: “On Photography” By: Susan Sontag, page 2. 

Clarence Thomas, one of the most respected Supreme Court justices’ claims that a person’s sex life is none of the government’s business. “I’m not going to engage in discussions of what goes on in the most intimate parts of my privacy and will remain just that.” 
Source: Confessions of the Guerrilla Girls By: The Guerilla Girls 

“We lived in farm country, isolated from other people. Our sense of gender roles was learned from our parents, from the ways we saw them behave. My brother and I remember our confusion about gender. In reality I was stronger and more violent than my brother, which we learned quickly was bad. And he was a gently, peaceful boy, which we learned was really bad. Although we were often confused, we knew one fact for certain: we could not be and act the way we wanted to, doing what we felt like. IT was clear to us that our behavior had to follow a predetermined, gendered script. 
Source: “Understanding Patriarchy” By: bell hooks (page 19)




Friday, May 1, 2020

Gallery Response


Raven Dickson
Prof. Cacoilo
Acts Of Resistance
4, March 2020


Gallery Response

  As a class, we visited two-artist exhibitions earlier in the semester. They were Neighbors Near and Far by Ibou Ndoye and Uprooted by Adebunmi Gbadebo. 


Neighbors Near and Far by Ibou Ndoye

   Ibou is an artist from Dakar, Senegal in West Africa. His work ranges from murals, paintings, glass
paintings, and mixed media. The subjects of his work in the Neighbors Near and Far exhibition are sharing modernized aspects of his hometown neighborhood and West African culture with the audience, as he stated whilst guiding us through his work “I’m just telling my story”.The art medium he used throughout his works were mixed media such as paint, various African fabric patterns, and glass. The vibrant colors used throughout each piece of the exhibit embodied the essence of Ndoye’s culture. Some of the recurring themes in the exhibit were self-discovery, identity, aspirations, and cultural empowerment. For example, his pieces Women’s Gathering (2020), Woure (2018), Young Brothers (2018), African Art Dealer (2018), and The Wrestler (2016). Ibou pays great homage to some of the traditions that are practiced within his culture. His work is inspired by what he saw growing up as an artist and visiting his former neighborhood in Senegal. In his gallery presentation, he mentioned how he wanted to share his story with the Americanized culture he adapted to when he moved over here. Ibou’s work portrays activism of the lifestyle and challenges of his culture. For example, in his piece Various Glass Plates (2019), Ibou told us how he purposely chose to make each painting on a glass plate to represent the fragile promises, hope, aspirations some people within his neighborhood had. Another example is his painting Toxoou (Moving Out) (2015), which expressed how Ndoye moved away from his hometown to further pursue his career as an artist leaving almost everything he knew behind. I enjoyed Ibou’s exhibit for the artistic direction in storytelling he took and getting a glimpse of West African culture. 


Various Glass Plates (2019) by Ibou Ndoye 


Toxoou (Moving Out) (2015) by Ibou Ndoye 


Women's Gathering (2020) by Ibou Ndoye 



Young Brothers (2018) by Ibou Ndoye 

Woure (2018) by Ibou Ndoye 



Uprooted by Adebunmi Gbadebo

    Adebunmi Gbadebo is a visual artist that uses human hair in her sculptures, prints, paintings, and silkscreen. The premise of her art is to use natural discarded hair that she collects from barbershops or people within her community and have it as the foundation of her pieces. Overall the subject of her works within the exhibit is to empower and educate others about the history and personal stories of people of the African diaspora. The recurring themes of Gbadebo’s pieces in the exhibit are history, empowerment, identity, and culture. For example, in her piece True Blues: 18th Hole edition III (2020) she uses copies of the old historical documents of the plantation land that her maternal family whose ancestors were located and enslaved on. It was formerly known as True Blue Plantation in Fort Mott, South Carolina, and is now a golf course. I really like how detailed this piece was in symbolizing the progression of the plantation became a golf course, by having the human hair she used dyed Indigo and covering the old slave documents from the former plantations. Aside from sharing a personal narrative related to her ancestry in her exhibit she also shared the stories of others within her community. For example, for her piece Am I Still Dreadful? (2015), she was given the locs of her old track coach named Andrea Johnson who stopped having them after 20 years of it being a part of her identity. Gbadebo raises the question hence the piece title regarding the state of Andrea’s hair still being “dreadful” since, during the time of slavery, matted hair was considered to be “dreadful” coining the derogatory name for the style “dread” locs. The activism expressed in Adebunmi’s work is catered to representing and uplifting the African Diaspora in art. According to Gbadebo, she was hugely inspired by the realization when learning about art history, that there was a lack of empowering representation of African Americans. Her other form of activism is by using the natural human hair of African Americans for her work. There has always been controversy surrounding the hair type of African Americans and using it for her art makes the statement of how it’s beautiful and should be embraced. I enjoyed Gbadebo's exhibit for the unique art direction and personal uplifting connection I felt from it. Also prior to viewing her exhibit with the class, I heard her speak about it and her work at NJCU’s annual Hair We Go event in celebration of Black History Month. It was an inspiring experience and intriguing to hear about her thought process for creating new pieces.






True Blues: 18th Hole edition III (2020) by Adebunmi Gbadebo 

True Blues: 18th Hole edition III (2020) by Adebunmi Gbadebo [Up close shot] 

True Blues: 18th Hole edition III (2020) by Adebunmi Gbadebo [Artist's Statement] 


Am I Still Dreadful? (2015) by Adebunmi Gbadebo 

Am I Still Dreadful? (2015) by Adebunmi Gbadebo [Artist's Statement]
Overall I truly admire how both artists manage to integrate their culture into the art they create and express activism for it in their own respective styles.



3 Quotes:

  • “I have always believed in counter-institutions, alternative spaces, and collective environments—new kinds of space are essential in the live production of what Gramsci called counter-hegemony” - Nato Thompson, Seeing Power: Art and Activism in The 21st Century (2015) (p.2)

  • “Yes and No. History isn’t a fixed, static thing. It always needs adjustments and revisions. The tendency to reduce the art of an era to a few ‘geniuses’ and their masterpieces is myopic. It has been a huge mistake. There are many, many significant artists.” - Georgia O’Keefe, Confessions of The Guerrilla Girls (1995) (p. 27)

  • "The generation of archival objects through the scores creates and open set, in which object, image, sound, smell, or agent can become an element of the set if collected from the environment using the same methodology, thus permitting the discovery of unanticipated elements and associations. The archive demands an engaged participation that overtime must respond to the changing problematic that the archive itself calls forward.' - Spurse, The Interventionists: User Manual for the Creative Disruption of Everday Life (2006) (p. 148)

Wednesday, April 29, 2020

Final Project



Raven Dickson 

Prof. Cacoilo

Acts Of Resistance
22, April 2020




Final Project - Mental Health Awareness Zine

   The topic of my semester project is mental health awareness and my final product of the project is a mental health zine. I chose this topic because I’m a passionate advocate for mental health and want to pursue a career in Clinical Psychology, which involves working with patients that have mental disorders. I’ve personally been battling with my mental health since I was 14 and know of people in my life who are battling it too, especially during the recent events of the COVID-19 pandemic outbreak. My target audience for this project range from young adolescents to adults. According to the Mental Health First Aids, it’s stated that “Half of all mental disorders begin by age 14 and three-quarters by age 24”(Mental Health First Aid "5 Surprising Mental Health Statistics" 2019). I wanted to provide as much information, resources, and awareness as possible since there was a lack of that during my early teen years.

I chose to create a zine as my outreach in advocating for mental health because I see art as a form of therapy and creative expression. I'd use it as a way to cope with my emotions at times and express thoughts that are too overwhelming to say aloud. I wanted to visually showcase relatability to the audience of what could cause emotions such as stress to occur, how it can fester, and take a toll on your mental health without proper help. For the distribution of the project, I believe that it’s a creative, convenient, and effective way to share information with others. In prior to the quarantine lockdown, I planned on sharing my project by having a certain amount of physical copies of the zine made, having a digital version of the zine made to share on all of my social media platforms, and promote it to the psychology departments and clubs on campus. Now due to the current circumstances, we’re in, I would create a physical re-edited version of the zine, scan the pages if possible, make it into a PDF file, and still share it on all of my social media platforms especially since everyone is on it now more than usual.

Clouds are the overall aesthetic for this zine because of how they symbolize wandering thoughts and emotions, specifically low ones. I personally dedicated this zine to my family, friends, peers, and anyone who struggles with their mental health. I also dedicated this to my younger-self since this is something I would give to her to help comfort her, inform her of mental disorders, and encourage the importance of taking care of your mental health. 

Cover Page






The first portion of the zine is a visual personal narrative based on my experiences of dealing with mental health. I have illustrations of different types of clouds in parallel to collages I’ve made to represent the mood of them. Throughout the narrative, there’s the progression of how my negative emotions could fester and how it’s expressed (i.e: Pages 6 & 7 with the rainclouds to encompass sad and sullen emotion). To conclude the narrative, I illustrated a transparent umbrella that's coming from a storm and entering the clear yet cloudy weather. It symbolizes how you'll have those days when you get swamped in the storm of negative emotions but it won't last long for there is hope in conquering it and seeing the brighter days.














The second portion of the zine is facts about other mental disorders. The ones I’ve included are Anxiety Disorders, Depression/Mood Disorders, Dissociative Disorders, Personality Disorders, and Posttraumatic Stress Disorder. The information is provided by some of the 10 sources I’ve listed for the project overall.








The third portion of the zine is related to different coping mechanisms for dealing with symptoms of mental disorders.




The final page of the zine is a referral list of various mental health resources such as organization websites and hotlines.



  This project was suited for my professional aspirations because it coincides with my future profession, Clinical Psychology. The project would be great for me to reference going into that field of psychology since it’s related to mental health; showing my passion, further knowledge, and understanding of the topic. In doing this project, I’m encouraged to contribute in taking a direct approach in advocating for this cause rather than doing so from afar like I usually do. As an artist, it provides me with more practice and experience with different art forms and experimenting with the concept of zines. I’ll also have new content created to add to my professional art portfolio.

  Although I have yet to distribute the project and receive much feedback, I’ve taken the need to change the form of the zine to still make it personal but more informative. I plan on making another version of the zine that would be easier to distribute, having fewer pages and a slightly different theme especially in honor of May being Mental Health Awareness Month. I’ll post an update soon.




5 Artists (That influenced or inspired this project & connect with the topic) :


1). Elohim (singer, songwriter, and producer)




Pictured on the left is Elohim herself and on the right is the album cover artwork of her EP BRAINDEAD


Links:




(Pictured on the left is Edvard Munch himself and on the right is his famous painting titled “The Scream”(1893)


Links: 


3). Logic (rapper, songwriter, producer, and author)





(Pictured on the left is Logic himself and on the right is the album cover artwork for his single “1-800-273-8255” feat. Alessia Cara & Khalid)


Links:


4). Kirsty Latoya (Illustrator, Poet, & Author)





(Pictured on the left is Kirsty Latoya herself and on the right is her digital piece titled “Stress”)


Links:


5). George J. Harding (Fine artist and oil painter)




(Pictured on the left is George J. Harding himself and on the right is his painting titled “Happiness Projected”.)

Links:

When planning this project the first person that came to mind as inspiration was the musician, singer, songwriter, and producer Elohim. Elohim is a huge advocate for mental health especially since she suffers from anxiety, depression, and panic disorder. She uses her music and performing as a form of therapy for herself and fans that may suffer from mental illness, reminding them that they’re not alone in battling it. Another musical artist that inspired me for this project is the rapper Logic. Logic grew up in a family that struggled with mental illness and addiction; music was his way to escape those struggles and tell his story whilst pursuing his passion. Within his career he has suffered derealization disorder, vocally expressing his own battles with his mental health and raising awareness of the topic in his music. What resonated with me with both musicians is how they used their music and lyricism to be vulnerable yet informative about the topic. In doing that it makes them extend relatability to their audience and that’s one of the goals I want to accomplish in this project.

    Secondly, the next set of artists that inspired me for this project range from painters and illustrators. The expressionist painter and printmaker Edvard Munch have repressed his emotions throughout most of his life due to the impact of his father who struggled from mental illness when raising him. He also endured the loss of his mother and sister from tuberculosis during his early childhood. In his paintings  he’d use color to set the tone and emotion of it along with the style of symbolism to showcase the meaning of them. Munch’s paintings reflected the deep themes and trauma he’s experienced in his life. Next, the digital illustrator, poet, and writer Kirsty Latoya use her passion for art to focus on addressing the various issues of mental health. She started battling depression when she was 14 due to low-self esteem and suffering from her chronic illness, Marfan’s Syndrome. Later on, as an adult when she lost her mother to Marfan’s Syndrome, she revisited her passion for art and used it as a form of therapy; creating self-portraits portraying how she felt which also resonated with others who felt the same way too. The last artist that inspired me was fine artist oil painter George J. Harding, who explores the universal portrayals of mental health in his work. Harding uses the style of characterization and ambiguity in his work to convey such emotions stemmed from mental illness and recovery from it. The aspect of all three artists that resonated with me the most is the approach of visual art therapy and self-reflecting in their work. When I was younger the ways that I would cope with my emotions were through writing and drawing how I felt at that moment. I found it therapeutic since I wasn’t comfortable with sharing how I felt aloud most of the time. In doing this project, personally, I want to utilize it as art therapy for myself but most importantly communicate those feelings and emotions to my audience so they’re able to understand.

   
3 Quotes:
  • "What is important to understand about infrastructures is that not only does each person come to think about words and their respective fields of activity in their own way, but that their entire way, of anyone else As much as the words might be the same, the ways in which we've come to know various art and activism are deeply informed by the experiences we've had that put us into contact with them."- Nato Thompson, Seeing Power: Art and Activism in The 21st Century (2015)

  • "For many decades the book has been the most influential way of arranging (and usually miniaturizing) photographs, thereby guaranteeing them longevity, if not immortality---photographs are fragile objects, easily torn or mislaid--and a wider public." - Susan Sontag, On Photography (1977)

  • "What is written about a person or an event is frankly an interpretation, as are handmade visual statements, like paintings and drawings." - Susan Sontag, On Photography (1977)

Resource List
  1. https://www.mentalhealthfirstaid.org/2019/02/5-surprising-mental-health-statistics/
  2. https://www.hhs.gov/ash/oah/adolescent-development/mental-health/adolescent-mental-health-basics/common-disorders/index.html
  3. https://www.centennialmhc.org/wp-content/uploads/2017/12/Myths-and-Stereotypes-about-Those-with-MH-Disorders.pdf
  4. https://www.mhanational.org/
  5. https://www.mentalhealth.gov/
  6. https://www.who.int/mental_health/en/
  7. https://www.cdc.gov/mentalhealth/index.htm
  8. https://www.medicinenet.com/mental_health_psychology/article.htm#what_are_common_types_of_mental_illness
  9. https://www.verywellmind.com/forty-healthy-coping-skills-4586742
  10. https://www.goodtherapy.org/blog/psychpedia/coping-mechanisms
  11. https://www.psychiatry.org/patients-families/what-is-mental-ill